Kubrick's Total Cinema : Philosophical Themes and Formal...

Kubrick's Total Cinema : Philosophical Themes and Formal Qualities

Philip Kuberski
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Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. 

In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey. As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. 

As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.

Categorías:
Año:
2012
Editorial:
Bloomsbury Publishing USA
Idioma:
english
Páginas:
208
ISBN 10:
1441156879
ISBN 13:
9781441156877
Archivo:
PDF, 1.38 MB
IPFS:
CID , CID Blake2b
english, 2012
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